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Tamron SP AF 10-24mm F3.5-4.5 Di II LD Aspherical (IF) review: Digital Photography Review

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Tamron SP AF 10-24mm F3.5-4.5 Di II LD Aspherical (IF) review: Digital Photography Review

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Studio Tests The 10-24mm gives generally good, if not outstanding results; distortion is well controlled and central sharpness is high once stopped down F5.
However sharpness wide open is distinctly low, and жмите are soft at all settings.
Our test sample also showed slight decentering, which was most visible at the 24mm setting with a rather soft right-hand side to the frame.
Sharpness Sharpness is generally poor wide open, and examination of the checkerboard crops shows low contrast due to halation effects quite possibly a result of the slight decentering mentioned above.
The lens improves dramatically on stopping down; central sharpness is extremely high at 10mm, but diminishes progressively at longer focal lengths; however the extreme corners remain soft at all settings.
As expected for this type of lens, best results are obtained at F5.
Chromatic Aberration Chromatic aberration is kept reasonably low; fringing is visible at all focal lengths, but at levels no worse than those found on typical standard zooms.
Falloff We consider falloff to start becoming a potential problem when the corner illumination falls to more than 1 stop below the center.
The 10-24mm shows about 2 stops wide open at wideangle with a slightly asymmetric patternbut this decreases rapidly on stopping down, settling at 1.
This will rarely be noticeable in real-world use, and usually swamped by natural lighting variations across such a wide field of view.
At 13mm and longer, falloff is essentially a non-issue at any aperture.
Distortion Distortion is kept impressively low throughout the range for such a wide angle lens; 1.
In context, this is much lower than that usually seen at the wide end of typical standard zooms.
Macro Focus A wide angle zoom is unlikely to be your first port of call for macro work, but this lens doesn't do too badly anyway.
Maximum magnification is 0.
Image quality is actually pretty good; the image is soft wide open, 5 stop down to F8 and both central and corner sharpness is high.
Macro - 118 x 78 mm coverage Distortion: Moderate barrel Corner softness: Low Focal length: 24mm 36 mm equiv 5 Full Frame Coverage Both the Nikon and Canon mount versions of this lens will mount on full-frame DSLRs; on Nikon cameras D3, D3X, D700 DX crop весьма Фотоаппарат Fujifilm GFX 100 Body просто will be automatically selected and the camera will therefore shoot at reduced resolution.
The lens's image circle obviously doesn't fully cover the 35mm full frame format at wideangle, but 5 is common for this type of lens, the vignetting progressively diminishes on zooming in, and coverage is essentially complete at focal lengths of 15mm and longer.
We're not going to formally test a DX lens on full-frame, but impressions are that the lens would be quite useable in an emergency or for non-critical applications.
This allows us to confirm our studio observations, and identify any other issues which don't show up in the tests.
The Tamron 10-24mm performed perfectly well 5 normal use, with no serious vices.
Flare Control of flare is a critical feature of a superwide lens; with such a broad view of the world, bright light sources will find themselves in the frame on a regular basis.
Overall the 10-24mm does pretty well in this regard, retaining contrast well in side- and back-lit conditions, even in the bright, low winter sun.
At its widest settings, the lens gives a signature red arc-shaped flare pattern when bright light sources are placed either in or just outside the frame; this progressively reduces in size and intensity on stopping down.
The lens also deals rather well with strongly backlit situations at the long end of the zoom range and therefore with the sun impinging directly on the front element ; the sample below loses some contrast on the right hand side, and there is one small flare spot visible, but overall it's a pretty good result.
The crops at the bottom show how effectively Nikon's in-camera CA correction on the D300 also present on the D90 removes this fringing; this also gives an idea of how well software correction in post-processing is likely to work.
The 100% crops come from the three regions outlined in red on the the thumbnail image.
At 10mm, central sharpness is impressively high, and detail continues to hold up well out to the location of the second crop shown below approximately 55% along the image diagonal.
Beyond this sharpness gradually drops towards the extreme corners, which are very soft indeed.
The story at 24mm is slightly different; here the centre is not quite as good as at 10mm, and sharpness gradually declines across the frame, with the 5 again extremely soft.
Our review sample also showed 5 asymmetry at 24mm, with the top right corner worst affected, showing extreme softness and ghosting as shown below.
Softness wide open The second clear issue identified in our chart tests is softness wide open.
This turns out to be a case of extremely low local contrast due to halation, with fine detail still being recorded.
The crops below show this clearly, with two images taken seconds apart with the lens wide open at F3.
The 100% crop from the centre of the frame looks somewhat 'hazy' at F3.
The 10-24mm is therefore best shot stopped down to at least F5.
It's also quite possible that this is to some extent a sample-specific issue, resulting from the decentering observed in our studio tests.
As it is wide angle lensesapparently there is a guy who uses this lenses to shot star trails.
My cert 4 teacher believes this lenses isn't any good 5 my camera.
The lens, which received a Recommended 5 when tested in its Nikon mount guise, will be available in Japan from June 12th, the company says, with sales then expanding to other markets.
This ultra wide-angle lens offers a minimum focus distance of 0.
The lens will be available later this month, initially in Japan.
Pentax and Sony versions will follow at an unspecified date.
PMA 2008: Tamron has announced a new ultra wide angle zoom which is currently under development.
The design incorporates both exotic glass materials and aspherical elements to minimize aberrations.
We've been testing the Nikon Z50 extensively and found a lot to like about it.
However, the camera's biggest drawback is probably that it faces such well-established competition.
The Olympus OM-D E-M5 Mark III is the company's latest Micro Four Thirds camera; it looks great, feels great, and takes beautiful photos.
There's a lot to like, but there are a few things we'd change.
Find out more in our full review.
Sony's flagship APS-C camera, the a6600, is a refinement of its predecessor and now includes industry-leading autofocus and battery life.
But is that enough to earn it top marks?
We think Sony could have pushed the boundaries a little further - find out how in our full review.
With the EOS M6 Mark II, Canon has taken its midrange mirrorless game up a notch.
Offering the highest-res APS-C sensor on the market, 4K video, super-fast burst shooting and comfortable ergonomics, the M6 II is compact and a real pleasure to shoot with.
Get all the details in our full review.
The PowerShot G7 X Mark III doesn't stray from the formula that made its predecessors 5, at least on the outside.
Its feature set, however, has been greatly improved, with live YouTube streaming being the highlight.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need узнать больше здесь buy the latest and greatest new product on the market.
In our latest buying guide we've selected some cameras that while they're a bit older, still offer a lot of bang for the buck.
These midrange cameras should have capable autofocus systems, lots of direct controls and the жмите sensors offering great image quality.
Looking to get in on the instant camera fun?
We tried every model 5 think the Fujifilm Instax Mini 70 strikes the right balance between price and feature - the Instax Wide 300 is our choice if you crave a larger format.
Long-zoom compacts fill the gap between pocketable cameras and interchangeable lens models with expensive lenses, offering a great combination of lens reach and portability.
Read on to learn about our favorite enthusiast long zoom cameras.
Common Kingfisher by Birdman50 from Best Photo of the Week.
Following the White Edition M8 from 2009, Leica has introduced a white version of the M10-P digital rangefinder.
You'll have to be quick though as there are only 350 available worldwide.
Instagram makes it third-party fact-checking system global, expanding the presence of 'false information' warning labels on fake images.
We've been testing the Nikon Z50 extensively and found a lot to like about it.
However, the camera's biggest drawback is probably that it faces such well-established competition.
The Fujifilm XF 16-80mm F4 R OIS WR is a versatile, everyday lens for X-mount cameras.
We show you how it compares for image quality, and Jordan tells us why he thinks its a great lens for shooting video.
The ISOCELL Bright HMX is Samsung's latest high-end mobile image sensor and comes with a range of innovative features.
Which is why he's picked the DJI Mavic Mini as his gear of the year.
Sigma has issued an official statement on its 24-70mm F2.
The 5 function can upscale images without a pixelation effect and while maintaining sharpness and detail.
The Pixel 4 is the first Google phone that can make use of a dual-camera for depth estimation in portrait mode.
For the past few weeks, our readers have been voting on their favorite photographic gear.
Now that the first round of voting is over, it's time to pick the best overall product of 2019.
Nikon recently launched its Yellow Program, a worry-free initiative that allows photographers to try out their Z50 camera for 30 days.
Apple says its ultra-pricey Pro Display XDR monitors with nano-texture glass require a special cleaning cloth that only it provides.
Instagram's latest anti-bullying effort involves an AI-powered system that warns users when they're about to publish an offensive caption.
Eastman Kodak quietly reveals plans to shutter its Kodakit on-demand photography service in January 2020.
Select Subject is the first of several desktop features that Adobe will make available on the iPad version of Photoshop.
Senior Editor Barney Britton's second Gear of the Year pick is the lens that changed his perspective on what a 'nifty fifty' could be.
The Laowa 15mm F2 Zero-D is a fast, wide приведу ссылку lens for full frame mirrorless cameras.
We used it for astrophotography and architectural photography — a couple common use cases for this type of lens.
Our 2020 'Best and Worst' episode is here!
Will Jordan's art house movie trivia drive Chris to madness?
Can you make martinis with pickled tomatoes?
Find out what gear the boys from Calgary liked most — and least — this year, and learn a few things you didn't know you wanted to know.
We're taking a look back through 2019 by focusing on one of our all-time favorite photographic subjects — Belvedere, a rescue pup who joined the DPReview team last fall and graced many of our sample galleries over the past 12 months.
There are now seven RX100 models currently on the market that you can buy.
Should you save a few bucks and go with less than the latest-and-greatest?
Find out which one is the right fit.
A front focusing issue appears to have hit Canon's new 70-200mm F2.
Update: Canon has issued an official statement acknowledging the issue, and is preparing a firmware update to address it.
The UK startup has developed a technology that uses machine Светильник 3C3.000.000.LYG1L Leti Square-EL to improve detail and color on digital https://booksarchive.ru/100/shirt-roberto-cavalli-sport-hyx06mco02000053opticwhite-white.html />The compact form factor, fast and versatile lens, and pop-up viewfinder made Canon's PowerShot G5 X II an easy pick for Читать editor Jeff Keller's favorite camera of the year.
Twitter has added support for Live Photos on iOS devices and improved its compression algorithm for JPEGs, which should dramatically improve image quality.
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